Otherworldly painted miniature terrain of the Ashen Wastes

Project Diary: Painting the Ashen Wastes

Written by: Marcus Harland

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Published on

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Time to read 5 min

Hey Folks, Marcus here from the Bestiarum Team!


I spent last weekend in a mad frenzy getting the insane Ashen Wastes terrain set all painted and I wanted to share a bit of the process with you all. 


In this post, I will show you the step-by-step process of how I painted this otherwordly terrain while trying to maintain my own sanity.

Miniature terrain with terrified man

Artist's interpretation of Marcus' weekend.

The Goal

Approaching these strange cuboids and towering pyramids, there were a few things I knew I wanted to achieve with this project -


  • Strong Colours,  with the Ashen Wastes being a land filled with arcane fallout and other strange energies, I wanted the terrain to reflect that and look weird as hell! The awful red/blue/yellow palette you can see here was in my head from the start.

  • Speed,  I needed to get these pieces done quick, there was helluva lot of resin to work through, and however tempting it was for the meditative value, blacklining each of the square inserts would probably be the death of me.

  • Something New,  for the past couple months I've been in a bit of a painting slump, or at least I've felt the joy I normally feel getting a bit damper. At times like that, it really pays to try something new and give yourself a fresh challenge.

With all that in mind, I decided to use oil paints for this project. Oil washes are quick, intensely coloured, blend easily, and most importantly, it's a technique I've been avoiding trying for some time.


There's a couple reasons I've been avoiding oils: I wasn't too pleased with my previous attempts at using them (compared to acrylics at least) and I was afraid my brush-licking habits would carry over. Either way, it fit the bill so lets dive into the project.

Assembly

First up, I got to work assembling the set. The way the pieces are split is great. As you can see in the render images, you can make some really weird pieces by gluing a few different parts together.


Nothing too complicated in terms of build technique here:


  • Initial assembly was done with a hot glue gun, then fixed tight with a few squirts of super glue.
  • I fixed a few pennies to the taller pieces to help keep them standing upright.
  • The Pyramid base was stuck on a piece of plyboard.
  • I also messed up printing the Pyramid base (ran out of resin!), so I stuck the extra failed half-print down and built a rock hill into the other side with hot glue and cork.
  • Any 'ground' bits you see are rough builder's sand, fixed down with PVA, then sealed with a coat of watered PVA.
Miniature terrain being built

Pennies to fix the centre of gravity.

Miniature terrain being built

A cool cliff, built from my FAILURE.

Painting

Priming

I primed these with my airbrush, first black, then a zenithal coat of an ivory-white, but in retrospect, a spray can of white would have been much quicker, for similar results.

Miniature terrain with primer

Ready for oils!

Oil Washes

Next up, I started on the oil washes. For those of you who aren't familiar, oil-based paint is thinned with solvents, not water, and they dry much more slowly than acrylic paints - meaning you have more time to work with the paint (this is helpful for blending etc).

Here's a picture of my workspace -

Miniature painting workspace

Clockwise, from the top left corner, I've got -


  • A cheap oil paint set
  • Makeup applicator sponges
  • Terrain
  • Plastic palettes
  • Pipette + pots (for grabbing more solvent)
  • Cardboard (for soaking up excess oil from the paint)
  • Palette knives and old brushes (don't use your nice brushes here!)

And, out of shot, I've also got -


  • A bottle of white spirit solvent
  • A pair of nitrile gloves
  • A fan and an open window (solvent stinks and it's not safe to inhale, stay safe!)

In terms of technique, I squeezed the oil paint out onto the cardboard, then moved some to the palette, and mixed in white spirit until the paint was thinned down to a milk-like consistency (A thicker wash will be more vivid).


Using a large brush, I covered the models in large patches of different colours, cleaning my brush between colours to prevent them mixing too much.


The colours I used, in order, are -


  • Crimson
  • Cobalt Blue
  • Purple (Mix of Crimson and Cobalt)

I used these three colours to cover the model. Then, after it had dried a little I went in again with Black, and Yellow Ochre to add some shadow and muddiness to the colour scheme.


And this was the point I began to question everything, I mean seriously... it looks horrific.

Miniature terrain being painted

But, I forged onwards, trusting the process - I applied the washes to the whole set, which took about 3 hours.


As I mentioned before, oils don't dry quickly, so I was able to really maximise the efficiency of the batch painting. If I'd used acrylics, I would have needed to be way more careful with my choices to achieve the same result.


Before moving on to the next step, the washes needed to dry out a bit. I used a hair dryer to speed up the evaporation of the white spirit.


You can think of the oil washes as drying in two stages, first, the Solvent dissipates, this happens fairly quickly - a few hours or so, you can tell it's gone if the model doesn't look wet anymore. Secondly, the remaining oil paint begins to dry, which is much more gradual (overnight, depending on the thickness of the paint).


With the drying complete, I took one of those makeup sponges and began wiping away at the models. This took away all the paint from the raised textures, leaving only the colours in the crevices.


I cannot express how satisfying that step is, seriously, it's now in my Top 5 Hobby Feelings.

Miniature terrain being painted

Here they are!

Finishing up

After leaving the oils to dry for a day, I tidied up the bases with some grey acrylic and a bit of drybrushing - and with that, called the project complete. I hope you enjoy the results as much as I do!

Closing Thoughts

All in all, the project took about 16 hours, which is pretty great for me considering the sheer quantity of stuff I got finished to a standard I was happy with.


The colours aren't quite as vivid as I wanted, but overall I think the desaturated look is a better fit for the misery of the Ashen Wastes. If you have any tips for achieving brighter colours with oil washes though, please shout in the comments!


I also got some great information and help from a hobby-pal of mine ( Steve's Paint Brush ) on getting started with oils. Social media and Discord are great ways to speak with your fellow hobbyists and pick up new skills! (Monthly reminder our own Bestiarum Discord Server is a great place to chat hobby and ask for advice)


Despite my earlier trepidation, I had a great time working with the oil washes. Learning a new technique felt great and it's breathed some new life into my hobby-time - if it's not something you've tried before, I definitely recommend it!


Thanks for checking out this Project Diary, hope it inspires some of you to check out a new style or technique in your own hobby, have fun folks!

Cheers,
Marcus

 Have you tried a new technique recently?

  

 Maybe you're an experienced oil painter and have some tricks of your own you want to share - we'd love to hear your stories, let us know in the comments! 

Marcus Harland

Marcus works as a Producer, Writer and Painter at Bestiarum Games.